Community Engagement, News & Updates
Now + There
Lot Lab Public Programs: Connecting Together

As part of our commitment to fostering a more vibrant city through bold public art, we strive to build culturally responsive relationships through our partnerships and participatory programs. This year at Lot Lab is no different; we are connecting with the community of Charlestown and beyond through dynamic programming of performance, spoken word, theater, workshops, and much more. 

Lot Lab Public Programs: Connecting Together
News & Updates
Now + There
Meet Kate Herlihy!

Fresh off the incredible feat of bringing Simone Leigh’s spectacular artworks from Boston to Venice and then to Boston, Kate Herlihy brings to Now + There balanced respect for artists’ vision with planning rigor. blu prinston, N+T Communications Assistant, chatted with Kate about how early access to arts education, mentorship, and teamwork make her ready to “pay it forward” as N+T’s Managing Director.

Meet Kate Herlihy!
News & Updates
Now + There
Meet Marguerite Wynter!

As a veteran of two Chicago Architectural Biennales, Marguerite Wynter brings FOMO-inducing stories of events we all missed out on—did we hear joy riding through the South Side?—and a deep commitment to engaging community in the co-creation of public art. Learn more about Marguerite and drop her a line to welcome her to a new event, space, or idea!

Meet Marguerite Wynter!
Now + There
What It’s Like to be a Public Art Ambassador

Now that we’re getting ready to launch Lot Lab in the Charlestown Navy Yard on June 7, I’ve been reflecting a lot on my Now + There journey, which began with me becoming a Public Art Ambassador two summers ago. If you’re considering becoming a Public Art Ambassador for Lot Lab, I hope my reflections about my time as a PAA can help to guide you! 

What It’s Like to be a Public Art Ambassador
Critical Reflections & Opinion
Leah Triplett Harrington
Artists at Work

Talking to artists and community members--listening and learning from them--brings life to all our projects. This year of Mending looks at stories of innovation, global connection, individual perseverance, and tenacity, weaving together the impossible and offering opportunities to amplify what is most delicate (collective joy), transient (dreams), or everlasting (love) in our interconnected world.  

Artists at Work

Artist Voices

Waiting by the light: One artist's account of riding the T

Waiting by the light: One artist's account of riding the T

Guest blog post by MBTA public art finalist Elisa Hamilton on the importance of public art in her childhood and it's influence on her career as an artist.

"Did you know that the glass tile wall of that bus tunnel used to light up?  I have childhood memories of waiting near that wall all aglow in blue and red, as if it was magically lit from within.  Those colors are still vivid in my memory; maybe you’ve also felt that brilliance.  I believe that the people in our communities deserve to have that light alive in our public spaces, and I believe that - with enough support - we can keep the light of public art shining in Massachusetts, so that we can all be illuminated in its glow."

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inMotion: Memories of Invented Play

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We sat down with Amy Archambault, the BCA’s Summer 2015 Public Art Resident, on the eve of the opening of her first interactive public art work, inMotion: Memories of Invented Play, and chatted about how she’s successfully transitioning from the unconventional artist/builder to public artist. 

The Big Bowl of Sunshine at Lawn on D

In an art town as small as Boston, worlds often collide. Recently N+T’s own Kate Gilbert sat down with fellow SMFA alum Thomas Stevenson to discuss his latest project, “Living Room”, commissioned by theLawn on D at Gilbert’s suggestion. The following is an excerpt of the conversation between artist and curator about how “Living Room” came to be, about fear in public spaces, and about learning to be flexible when you come upon big rocks in your tiny sandbox.

MOMO brings smart design and color to Boston

In February the Brooklyn/New Orleans street artist MOMO arrived in Boston in the midst of Snowpocalypse ‘15, an unrelenting series of snowstorms and freezing temperatures that left Boston under 93” of snow. Undaunted by it all, MOMO completed a massive 250’ x 34’ mural over eighteen nights in the lobby of Boston’s iconic John Hancock Building bringing his signature combination of blending techniques, harmonious colors and universal forms to warm up the austere lobby and its wintery surrounds.

We had the pleasure of sitting down with him on his fourteenth night of painting to talk about his technique, the challenges he faced and that delicate balance of making a public artwork that's accessible yet not silly. The following is an excerpt from that conversation which was published by our friends at Brooklyn Street Art on March 26.