Critical Reflections & Opinion

Table Talk

Table Talk

I’d like to talk about what happened at Slideshow when the projector wasn’t rolling. About the physical slides themselves, the light table, the loupes, the experience of looking through someone else’s eyes, and the power of a public art object to spark connection and elicit a sense of shared vulnerability between strangers.

Feminism in Public Art

Feminism in Public Art

A feminist approach to creating and facilitating public art helps us flex our empathy muscles by increasing a tolerance for ambiguity and a diversity of perspectives.

Are we living more bravely one month out?

Are we living more bravely one month out?

How have the words you spoke at Public Trust with Paul Ramirez Jonas taken up residence in your life? Reflections one month out and an invitation to share your story about how making a promise, and making it public, has inspired you to take action and live more bravely. (Plus win a gift certificate to get your promise framed!)

Art in Service: Documentation

Art in Service: Documentation

Leah Triplett Harrington, editor of Big Red & Shiny, explores how art and time-based work can be recorded or documented in this final essay in our four-part collaboration with Big, Red & Shiny and Alter Projects.

Art in Service: Quality

Art in Service: Quality

Maggie Cavallo wrestles with the thorny issue of addressing quality in socially engaged art in this guest post, the third in our four-part series Art in Service with Big Red & Shiny and Alter Projects.

Art in Service: Who is it for?

Art in Service: Who is it for?

Five artists, curators and instigators answer the question: "Who is your practice for?" and their answers are as complex and generous as their work. With Che Anderson, Jennie Carlise, William Chambers, Elisa Hamilton, and Lori Lobenstine.

Art in Service: a conversation

Art in Service: a conversation

This first post in a four-part series entitled Art in Service, a collaboration between N+T and Big, Red & Shiny, explores the definitions, challenges and modes of exchange in socially engaged art practices.