As part of our commitment to fostering a more vibrant city through bold public art, we strive to build culturally responsive relationships through our partnerships and participatory programs. This year at Lot Lab is no different; we are connecting with the community of Charlestown and beyond through dynamic programming of performance, spoken word, theater, workshops, and much more.
Fresh off the incredible feat of bringing Simone Leigh’s spectacular artworks from Boston to Venice and then to Boston, Kate Herlihy brings to Now + There balanced respect for artists’ vision with planning rigor. blu prinston, N+T Communications Assistant, chatted with Kate about how early access to arts education, mentorship, and teamwork make her ready to “pay it forward” as N+T’s Managing Director.
As a veteran of two Chicago Architectural Biennales, Marguerite Wynter brings FOMO-inducing stories of events we all missed out on—did we hear joy riding through the South Side?—and a deep commitment to engaging community in the co-creation of public art. Learn more about Marguerite and drop her a line to welcome her to a new event, space, or idea!
Now that we’re getting ready to launch Lot Lab in the Charlestown Navy Yard on June 7, I’ve been reflecting a lot on my Now + There journey, which began with me becoming a Public Art Ambassador two summers ago. If you’re considering becoming a Public Art Ambassador for Lot Lab, I hope my reflections about my time as a PAA can help to guide you!
Talking to artists and community members--listening and learning from them--brings life to all our projects. This year of Mending looks at stories of innovation, global connection, individual perseverance, and tenacity, weaving together the impossible and offering opportunities to amplify what is most delicate (collective joy), transient (dreams), or everlasting (love) in our interconnected world.
"When doing community engagement work photos cannot capture everything, but they do try. [There are] microcosmic amazing moments that always go unseen and escape the camera. Many occurred during Faces of Dudley." More about one such moment in Cedric Douglas' essay from Faces of Dudley, now available on Blurb.
“I have a story to tell,” read one board. “I survived breast cancer,” declared another. “I am the whomp whoomp,” stated a third, somewhat mysteriously. All were in response to questions asked while people waited to have their portrait taken during Faces of Dudley. More about the inspiration behind this project in Kate Gilbert’s essay from Faces of Dudley, now available on Blurb.
Yesterday, we brought copies of Faces of Dudley to share with our friends at the Dudley Branch of the Boston Public Library. Copies are now available for sale on Blurb for $7.25 so everyone can remember that day when a neighborhood came together in pride.
Looking back and ahead, a New Year's greeting from Director Kate Gilbert. In a decade from now when Greater Boston is a must-see destination for public art enthusiasts I believe we’ll look back at 2015 as a pivotal year. 2015: the year public art became an integral part of the re/development of engaging public spaces, the year when artwork selection processes shifted from juried to curated, and the year we learned to balance spectacle and civic engagement.
Great news! JR's Inside Out Project Photobooth truck is returning tomorrow, Thursday, Oct. 8, to Boston!
The truck's new location is Back Bay Station. So if you can't make it today, make arrangements to get over tomorrow and don't miss out on "the people's art project".
Have extra time tomorrow and want to earn our eternal gratitude? Sign up to volunteer.
Let's make this look a whole lot better...with your face!
(Back of the station. Truck will be on the front, 145 Dartmouth Street.)
We sat down with Amy Archambault, the BCA’s Summer 2015 Public Art Resident, on the eve of the opening of her first interactive public art work, inMotion: Memories of Invented Play, and chatted about how she’s successfully transitioning from the unconventional artist/builder to public artist.
